Morris recently had the pleasure of working on Steven Spielberg’s World War I film, “War Horse,” for which he received a BAFTA nomination.JOANNA JOHNSTON (Costume Designer) first worked with Steven Spielberg assisting Academy Award®–winning costume designer Anthony Powell on “Indiana Jones and the Temple of Doom.” She also assisted Powell on such films as “Evil Under the Sun” and Roman Polanski’s “Tess.” Other productions, working as assistant designer, include working with Milena Canonero on “Out of Africa,” for which Canonero was nominated for an Oscar®.She also assisted Tom Rand on his Oscar-nominated work “The French Lieutenant’s Woman” and on “The Shooting Party.” As a costume designer, Johnston has enjoyed a long association with Steven Spielberg, working on such films as “Saving Private Ryan,” “Munich,” “Indiana Jones and the Last Crusade,” “War of the Worlds” and “War Horse.” She has also collaborated frequently with Robert Zemeckis on films, including “Who Framed Roger Rabbit?
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Night Shyamalan’s “The Sixth Sense” and “Unbreakable,” and Paul and Chris Weitz’s “About A Boy,” for which she was a Costume Designers Award nominee; and Richard Curtis’ “Love Actually” and “The Boat That Rocked.” Johnston has also worked with Bryan Singer on “Valkyrie” and most recently on “Jack the Giant Killer.” RICK CARTER (Production Designer) won an Academy Award® and a BAFTA in 2010 for his otherworldly production design on James Cameron’s mega-hit “Avatar.” He was also honored by his peers with an Art Directors Guild Award for Excellence in Production Design on a Fantasy Film. (Editor), is one of the most acclaimed film editors of all time.
Carter received his first Oscar® nomination for his work on Robert Zemeckis’ “Forrest Gump.” Carter most recently created the production design on Steven Spielberg’s “War Horse.” He has also collaborated with Steven Spielberg on such diverse films as “Munich,” “War of the Worlds,” “A. Artificial Intelligence,” “Amistad” and the blockbusters “Jurassic Park” and its sequel, “The Lost World: Jurassic Park.” In 2011 he was also the production designer on Zack Snyder’s epic fantasy “Sucker Punch.” Carter has been Zemeckis’ production designer of choice on the films “The Polar Express,” “Cast Away,” “What Lies Beneath,” “Death Becomes Her” and “Back to the Future Part II” and “Part III.” Earlier in his career, Carter designed for the television anthology series “Amazing Stories,” which was produced by Spielberg’s Amblin Entertainment. He won Academy Awards® for editing “Raiders of the Lost Ark,” “Schindler’s List” and “Saving Private Ryan,” all of which were directed by Steven Spielberg.
His work on the show also teamed him with such notable directors as Martin Scorsese and Clint Eastwood, among others. With seven Oscar® nominations, he is the most honored editor in motion picture history.
Additionally, he has won 2 BAFTAs and has been nominated for 4 others.
Last year, Kahn edited Spielberg’s combination live-action animated feature “The Adventures of Tintin” and the Academy Award® nominated “War Horse.” During his more than four decades of illustrious work, Kahn has distinguished himself as the editor of many now-classic films, including “Close Encounters of the Third Kind,” “The Color Purple,” “Empire of the Sun,” “Always,” “Ice Castles,” “Raiders of the Lost Ark,” “Indiana Jones and the Temple of Doom,” “Indiana Jones and the Last Crusade” and “Indiana Jones and the Kingdom of the Crystal Skull.” In addition Kahn edited “Pirates of the Caribbean: On Stranger Tides,” “Prince of Persia: The Sands of Time,” “Munich,” “The Terminal,” “War of the Worlds,” “Catch Me if You Can,” “Alive,” “Arachnophobia,” “Fatal Attraction,” “The Goonies,” “Poltergeist,” “1941,” “The Eyes of Laura Mars” and “The Return of a Man Called Horse.” For television Kahn edited the movie “Eleanor and Franklin.” He began his career editing the popular television series “Hogan’s Heroes.” JANUSZ KAMINSKI (Director of Photography) has created some of the most lasting and memorable images in cinema history.
A native of Poland, Kaminski has enjoyed a long and illustrious collaboration with Steven Spielberg, first with the 1993 made-for-television film “Class of ’61,” on which Spielberg was executive producer.Together they went on to combine their talents on “Schindler’s List” (for which Kaminski won his first Academy Award® for Best Cinematography), “The Lost World: Jurassic Park,” “Amistad” (Oscar® nomination), “Saving Private Ryan” (for which he received his second Academy Award), “A. Artificial Intelligence,” “Minority Report,” “Catch Me if You Can,” “The Terminal,” “War of the Worlds,” “Munich,” “Indiana Jones and the Kingdom of the Crystal Skull” and “War Horse.” Among Kaminski’s other credits as cinematographer are “How Do You Know,” “Funny People,” “The Diving Bell and the Butterfly” (Oscar® nomination), “Jumbo Girl,” “Jerry Maguire,” “Tall Tale,” “How to Make an American Quilt,” “Little Giants,” “The Adventures of Huck Finn” and “Killer Instinct,” among many others.Kaminski’s directing credits include “Lost Souls” and “Hania” (on which he also served as cinematographer).Steven Spielberg directs two-time Academy Award® winner Daniel Day-Lewis in “Lincoln,” a revealing drama that focuses on the 16th President’s tumultuous final months in office.In a nation divided by war and the strong winds of change, Lincoln pursues a course of action designed to end the war, unite the country and abolish slavery.With the moral courage and fierce determination to succeed, his choices during this critical moment will change the fate of generations to come. Aliquam vel nibh et purus egestas luctus eget ac elit. Nunc pretium magna vitae enim venenatis ac porta justo sodales. Historical research and rich character details also merged in the work of costume designer Joanna Johnston, another long-time Spielberg collaborator, who cut her teeth in authentic military worlds with “Saving Private Ryan.” Like many on the production, she also had a personal link to WWI.